视频
取消
推荐搜索
全部

帝国[电影解说]

影片信息
  • 片名：帝国[电影解说]
  • 状态：已完结
  • 主演：Alla/Osipenko/
  • 导演：亚历山大·索科洛夫/
  • 年份：1987
  • 地区：其它
  • 类型：电影解说/
  • 时长：内详
  • 上映：未知
  • 语言：其它
  • 更新：2025-04-11 17:57
  • 简介：　　Short film Empire is based on a radio drama Sorry, Wrong Number by the American writer Lucille Fletcher. Actually, Sokurov draws on a single theme forming the background for the story of the thriller — the woman's illness… The heroine is bed–ridden and her only means of communication with the outside world is her telephone — until a killer interrupts the conversation…　　Sokurov removes all the dialogues, leaving us alone with the heroine — “a living skeleton” among the refined, with a touch of Modern–style, furnishings — who is listening to a radio broadcasting of Traviata, with its pleas for mercy and love. An elegant coffin–home is the spatial centre and symbolization of the entire film. And inside the coffin we certainly see the actress — the famous Russian ballerina Alla Osipenko who plays not only the heroine but also her own self.　　This metaphoric cinema–image bears an allusion to the great “handicapped” Sarah Bernhardt who was reported to sleep in a coffin, as well as to the entire complex of aesthetised Decadence, converting an apology of Death into a lifestyle. Here is the key to the code of the title. Empire is a style that attempted to reanimate the dead ancient harmony. The heroine of Sokurov's film communicates with her phone as the only partner, and sort of interferes with the beyond, attracting this air — intangible yet saturated with danger. It is from the radio air that she accumulates both pleasure and tranquillity — the aria of dying yet beloved Violetta, while the killer's silhouette materializes from the phone air. A chamber pot, overturned and spilt by the killer in haste, remains the only evidence of human activities in this boudoir of Death. Sokurov's metaphor, clad in naturalistic details, produces the effect of ironic disclosure: “a wet spot” is left after a symbol.　　The film was shot as a study work of a VGIK student S.Sidorov. At that time Sokurov did not have a chance to launch a project of his own, therefore he used this possibility to work. Visual conception of this film anticipates a considerable number of Sokurov's future experiments: light that models the space, levelling of colours, correlation of contrasting textures.
1987/其它/电影解说 /其它/

 立即播放  播放1

选择来源

  • 播放6
  • 播放1
7.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
53次评分
7.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
53次评分
给影片打分 《帝国[电影解说]》
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
我也要给影片打分

首页 电影解说 帝国[电影解说]

播放列表

 当前资源来源播放1 - 在线播放,无需安装播放器
 倒序
 播放6  播放1

剧情简介

　　Short film Empire is based on a radio drama Sorry, Wrong Number by the American writer Lucille Fletcher. Actually, Sokurov draws on a single theme forming the background for the story of the thriller — the woman's illness… The heroine is bed–ridden and her only means of communication with the outside world is her telephone — until a killer interrupts the conversation…　　Sokurov removes all the dialogues, leaving us alone with the heroine — “a living skeleton” among the refined, with a touch of Modern–style, furnishings — who is listening to a radio broadcasting of Traviata, with its pleas for mercy and love. An elegant coffin–home is the spatial centre and symbolization of the entire film. And inside the coffin we certainly see the actress — the famous Russian ballerina Alla Osipenko who plays not only the heroine but also her own self.　　This metaphoric cinema–image bears an allusion to the great “handicapped” Sarah Bernhardt who was reported to sleep in a coffin, as well as to the entire complex of aesthetised Decadence, converting an apology of Death into a lifestyle. Here is the key to the code of the title. Empire is a style that attempted to reanimate the dead ancient harmony. The heroine of Sokurov's film communicates with her phone as the only partner, and sort of interferes with the beyond, attracting this air — intangible yet saturated with danger. It is from the radio air that she accumulates both pleasure and tranquillity — the aria of dying yet beloved Violetta, while the killer's silhouette materializes from the phone air. A chamber pot, overturned and spilt by the killer in haste, remains the only evidence of human activities in this boudoir of Death. Sokurov's metaphor, clad in naturalistic details, produces the effect of ironic disclosure: “a wet spot” is left after a symbol.　　The film was shot as a study work of a VGIK student S.Sidorov. At that time Sokurov did not have a chance to launch a project of his own, therefore he used this possibility to work. Visual conception of this film anticipates a considerable number of Sokurov's future experiments: light that models the space, levelling of colours, correlation of contrasting textures.

为你推荐

 换一换
  • 豆瓣高分
    更新至电影解说
    雷宾斯克八卦秘闻[电影解说]
    9.0 安东·瓦西利耶夫/尤里亚·凯林娜/鲁齐尔·米涅卡耶夫/蒂莫菲·特里布纳采夫/米克哈尔·克雷默/Varvara/Volodina/
  • 已完结
    零日风暴[电影解说]
    6.0 罗伯特·德尼罗/杰西·普莱蒙/丽兹·卡潘/康妮·布里顿/琼·艾伦/马修·莫迪恩/安吉拉·贝塞特/莫赞·玛诺/麦金利·贝尔彻三世/迈克尔·博里尼/库利·卡尔文/丹·史蒂文斯/比尔·坎普/杰·克拉茨/TJ/Lee/Marie/France/Louis/伊登·李/Mike/McGowan/艾瑞克·麦考利斯特/艾利克斯·卡什/
  • 更新至电影解说
    弥留之国的爱丽丝 第三季[电影解说]
    2.0 山崎贤人/土屋太凤/贺来贤人/矶村勇斗/三吉彩花/每熊克哉/大仓孝二/须藤理彩/池内博之/玉城蒂娜/醍醐虎汰朗/玄理/吉柳咲良/三河悠冴/岩永丞威/池田朱那/
  • 已完结
    猎犬山[电影解说]
    7.0 罗伯特·温茨凯维奇/马特乌什·科希丘凯维奇/娅希米娜·波拉克/
  • 已完结
    内景唐人街[电影解说]
    5.0 欧阳万成/汪可盈/钱信伊/马泰/丽萨·吉洛伊/高圣远/沙利文·琼斯/洲龙/林晓杰/安妮·张/迈克尔·哈尔尼/艾伦·麦克里奥德/高艾思/斯宾瑟·内维尔/詹妮·特兰/Esther/K./Chae/克里斯廷·古德温/Dylan/Stretchbery/Kina/Bermudez/刘思思/
  • 更新至电影解说
    猎捕行动 第一季[电影解说]
    5.0 梅丽莎·罗斯伯格/尼克·维切斯勒/帕特里克·萨邦圭/乔什·/麦肯锡/萨拉·加西亚/扎布丽娜·格瓦拉/卡瑞·玛切特/西沃恩·威廉姆斯/马特·弗里沃/Kyra/Leroux/Sydney/Bell/Wonser/De-Gbon/Arvin/Shah/丹尼尔·卡什/凯文·考利甘/伊丽莎·库伯/杰西·布拉德福特/大卫·莱姆希/珍妮特·基德尔/杰伊·保尔森/
  • 已完结
    墨西哥太平间的九具尸体[电影解说]
    1.0 彼得·加迪尔特/艾瑞克·麦柯马克/Sebastián/Capitán/Viveros/Ángel/López-Silva/Jan/Le/亚当·朗/希沃恩·麦克斯维尼/大卫·阿贾拉/莉迪亚·威尔逊/Bradley/J./Ibrahim/Isaiah/St/Jean/Harlys/Becerra/黛博拉·艾里德/格洛里亚·加西亚/哈里·迪伦/Daniel/Topic/奥拉维尔·达里·奥拉夫松/卡罗利娜·格拉/乔安娜·博尔哈//锡巴斯琴·奥罗兹科/
  • 已完结
    老方法[电影解说]
    8.0 尼古拉斯·凯奇/克林特·霍华德/凯丽·科纳佩/亚布拉哈姆·本鲁比/赖恩·基拉·阿姆斯特朗/尼克·瑟西/希罗·弗南德兹/诺厄·勒·赫罗斯/博伊德·肯斯特纳/迪恩·阿姆斯特朗/艾迪·斯皮尔斯/亚当·拉扎尔-怀特/斯凯勒·斯通/梅兹·阿特伍德/布雷特·多诺霍/
  • 已完结
    克林[电影解说]
    4.0 艾德里安·布洛迪/格伦·弗莱舍尔/里奇·梅里特/Chandler/DuPont/麦凯尔泰·威廉逊/Michelle/Wilson/John/Bianco/罗伯特·菲茨杰拉德·迪格斯/Gerard/Cordero/亚历克斯·科拉多/贾德·约克/Antino/Crowley-Kamenwati/大卫·菲耶罗/Bruce/Soscia/Semaj/Grant/杰克·/科尼格/韦恩·派尔/布莱恩·多纳休/
  • 已完结
    绝命岔路[电影解说]
    4.0 Kenneth/M./Christensen/夏洛特·菲奇/Arian/Kashef/
  • 更新至电影解说
    俱毗罗[电影解说]
    3.0 拉什米卡·曼丹娜/丹努什/纳嘎朱纳·阿克肯尼/巴加瓦迪·佩鲁马尔/吉姆·萨伯/桑奈纳/Hareesh/Peradi/达里普·塔西尔/K./Bhagyaraja/Saurav/Khurana/Koushik/Mahata/Col/Ravi/Sharma/Divya/Dekate/Reddi/Bhanu/Prasad/Veeru/Raw/
  • 更新至电影解说
    六天[电影解说]
    6.0 塞米·鲍亚吉拉/朱莉·加耶/
  • 已完结
    伦敦呼叫[电影解说]
    3.0 乔什·杜哈明/杰里米·雷·泰勒/里克·霍夫曼/艾丹·吉伦/阿诺德·沃斯洛/尼尔·桑迪兰兹/布兰登·奥雷/丹尼尔·拉斯克/丹尼·戴·维利尔斯/卡尔·桑宁/Nathan/Castle/Matthew/Dylan/Roberts/Ntlanhla/Morgan/Kutu/杜马尼·西福塞苏·姆蒂亚/Daniel/Levi/Thomas/Finnley/Barnett/Francois/Nel/
  • 更新至电影解说
    黑暗智宅[电影解说]
    10.0 米娜·唐德/Joshua/Kantara/拉文尼娅·威尔森/迈克尔·克拉默/弗朗兹·哈特维希/Filip/Schnack/Elias/Grünthal/Mary/Amber/Oseremen/Tölle/Loredana/Linglauf/克里斯蒂安·斯基宾斯基/
  • 更新至电影解说
    黑帮领地 第一季[电影解说]
    6.0 汤姆·哈迪/皮尔斯·布鲁斯南/海伦·米伦/琼安·弗洛加特/帕迪·康斯戴恩/劳拉·普沃/曼蒂普·迪伦/亚历克斯·芬恩/丹尼尔·贝茨/丽莎·德万/杰夫·贝尔/贾思敏·乔布森/艾米莉·巴伯/安森·布恩/德里坦·卡斯特拉蒂/詹姆斯·费舍尔/Bradley/Turner/Ellen/Costa/丹尼尔·德·博格/普林斯·马尔弗/
  • 已完结
    黑白潜行2[电影解说]
    8.0 安志杰/曾志伟/汪东城/蓝心妍/袁富华/林子善/何慈茵/王东/吴瑞庭/黎泽恩/
  • 更新至电影解说
    黑暗深处[电影解说]
    3.0 塞缪尔·勒·比汉/阿米尔·艾尔凯塞/让-雨果·安格拉德/托马·索利韦尔/迭戈·马丁/布鲁诺·桑切斯/马克·里索/安托万·巴斯勒/Wabinlé/Nabié/Rachid/Guellaz/Mohamed/Aroussi/米卡埃尔·菲图西/Arthur/Guivarch/Carl/Laforêt/Yves/Turi/菲利普·托雷顿/
  • 已完结
    蝴蝶风暴[电影解说]
    1.0 派珀·佩拉博/金大贤/蕾娜·哈迪斯蒂/查尔斯·帕内尔/金志勋/金泰希/成东日/李一花/路易斯·兰多/张瑞妍/Sean/Dulake/Gina/Theresa/Williamson/Joe/Nowell/亨利·伊安·库斯克/Luis/Carazo/安东尼·阿吉吉/乔什·普拉斯/Patty/Malcolm/朴海秀/Nayoon/Kim/
  • 已完结
    警报战[电影解说]
    1.0 西尔维斯特·史泰龙/斯科特·伊斯特伍德/薇拉·菲茨杰拉德/麦克·柯尔特/D·W·莫菲特/Anton/Narinskiy/伊斯·巴尔韦德/Joel/Cohen/La/Monde/Byrd/Patrick/Millin/莱斯利·艾米特/Bret/Aaron/Knower/Beau/Bommarito/Kevin/W./Shiveley/John/W./Harden/John/E./Brownlee/Derek/Polen/
  • 已完结
    金钱骗局[电影解说]
    6.0 沙希德·卡普尔/维杰·西图帕提/凯·凯·门农/Raashii/Khanna/
 换一换

最新资讯

更多
更多

评论

评论已关闭

电影解说排行榜

更多